Vibrato is particularly strange in that it seems to require a lot of work, but in the end we all seem to find that the best sound comes when we relax and just let go. Unfortunately, hardly anyone can develop a vibrato without a lot of effort, but many ...

Even if we've developed a functional bow hold and good bowing arm mechanics, our bow can still slide around sometimes, creating airy and scratchy tones when we're simply trying to get through our piece. If this sounds familiar you've come to the right ...

Ever wonder why certain violin and viola strings seem easier to sustain a nice bow bounce on than others? I have a theory and hope you'll enjoy this deep dive into how to create spiccato consistency string to string. As we find with both hands in fact, ...

A lot of us often wonder, where am I supposed to place my thumb on the violin (or viola) neck? What finger should it be closest to? Should it be stationary? Should it move? Is there a spot that will magically help it stop gripping and finally relax? ...

In this recent teaching video I'm sharing on my YouTube channel I'm sharing one of my favorite exercises to share with my students. Do you conveniently avoid playing in the lower half of the bow, or outright fear the tones you might encounter down ...